![](http://images.wikia.com/metalgear/images/c/cb/Metal_gear_kyle_cooper_(2).jpg)
Directors don't call on Cooper for a signature style; they hire him to dig under the celluloid and tap into the symbolism of a film. That aptitude first became apparent in 1995, with the abrasive and highly stylized intro to David Fincher's Se7en.
As a filmmaker, Cooper is all about precision. When you're doing a two-minute movie, being obsessive about every cut, every transition, and every manipulation of every letter is a job requirement.The production on Spider-Man 2's titles, from conception to delivery, has stretched almost an entire year. Cooper began by digitally scanning dozens of vintage Spider-Man comics and editing them together in a blink-and-you-miss-it five-second montage that encompasses the entire story arc of the first film. I think his work is brilliant as a filmaker, you can see as the audience that he has studied the film that he is trying to advertise, the subliminal messages that are hidden within the original film are sought-out and played on through the trailers he creates.
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